The most impressive art emerges from the search of balance.

Balance between excellent composition and ideal production.
Between free artistic expression and the listener’s expectation.
Between respect for the tradition and breaking the status quo.

Are you searching for the perfect balance?
I can help you in your way.

Harvestman Studio is the musical workplace of Matheus Manente,
located in São Paulo – Brazil.

“I immersed myself in the world of music for 20+ years – studying, composing, teaching, producing, performing and recording. Throughout the way, I worked with hundreds of musicians on 150+ releases. If you need help to make your music happen, I may be able to provide you with great tools and services to reach your goals.”

Our work is present on several releases, such as:

SERVICES


Mixing and Mastering

You created your masterpiece, produced it and recorded all the most impressive takes, but you still need someone to make your music shine and become ready for commercial release? You’re in the right place. I will mix and/or master your track to any standard, in any style. We can even optimize it to streaming services or vinyl.

Harvestman Studio works in-the-box, so you never have to worry about doing a recall – We simply keep going until you are 100% satisfied! Plus, in a world where most studios still rely on illegal and cracked software, rest assured that your music will be mixed in a studio that NEVER does that – We proudly support the developers that created our Digital Audio Workstation, VSTs and plugins!


Instrument recording

You wrote a really powerful song, but VST‘s aren’t cutting through and you need real instruments to achieve that top-notch experience? I will record acoustic or electric guitars (including extended range up to 8 strings), basses (including extended range 5 strings and fretless) and percussion in almost any style you need. Also available are backing voices, baritone/tenor choir lines and growls!

It will feel like a walk in the park: I can either read sheet music, chords or tabs, learn by ear or even create the arrangement from scratch if you have no idea what to do. Don’t worry about post-production – You will receive your stems edited, without unwanted noises and with the best raw tones. All you have to do is drop it on your project and mix!


Production, Composition and Arrangement

You are a great storyteller, trying to create an iconic indie movie or game? Maybe you are designing a great product and planning a beautiful marketing campaign. Or maybe you are a fantastic singer trying to figure out your next hit! In any case, you need one of the most important pieces of your puzzle: Great music. Together, we can work it out!

I studied classical and popular composition and created music in a multitude of styles, gathering experience to work on almost anything you request. And of course, as you might have figured out – I can simply create music from scratch and deliver it produced, recorded and ready for release. And yep, that means you can avoid communication problems between dozens of people along the way. It’s your call!


Consulting and Other Services

  • Backing track creation;
  • MIDI programming;
  • Transcription;
  • Engraving;
  • Sound design;
  • Music registration consulting based in Brazil – Copyright, ECAD et cetera;
  • Music distribution consulting worldwide – online stores and streaming services;
  • Lyric writing and translation to/from english and brazilian portuguese.

Why choose Harvestman Studios?

Technology can definitely make choices for you, but it will always send you towards that average point between millions of analysis – some of them good, some of them bad. That’s how AI works. And you might think, at first, that this is true balance. But think twice – A blended whiskey may be good, yes, but only a single malt will be able to really blow your mind.

Every variable in music is subjective. After all, music is art, and art is the most human of all things. So, ask yourself – Would your computer be able to truly understand the beauty of your art and the balance it needs to really stand out from that middle ground and convey your emotions? Well, that might work for a superficial jingle or marketing campaign, but when you’re talking about true art, I believe the human element is still irreplaceable.


Questions and Answers

Doubts about the process? Click on the tab below and browse our frequently asked questions.

EditingMixingMasteringRecording
What is audio editing?
In the context of mixing, it is the process of editing a recorded stem to make it sound perfect. Editing may include adjusting the track to the tempo grid to make it sound as tight as possible; correcting notes out of tune; correcting gain and equalization of separated sections; as well as advanced processing if needed be.
Do you use automatic editing tools?
No. Automated transient tracking or quantization will NOT be used, and the reason why is simple: It sounds bad. Stems end up with glitches and won’t sound natural at all. In order to avoid those problems, tracks will be edited manually, note per note, with phase correction. The result is a state-of-the-art edition, with the best and most natural sound one can achieve. The downside is that it takes more time – Usually a day or two per song.
Do you need the click track or tempo map of the song?
If editing is necessary, the answer is yes. We need to know at least the tempo in BPM (beats per minute). Click tracks and tempo maps usually help a lot, specially if your song has many different time signatures or tempo changes. If no editing is necessary, then the answer is no.
Can you tune vocals?
Yes! From a very subte and natural jazz voice correction to a robotic and flat Daft Punk standard, everything is possible.
Can you clean up noises and breaths?
Yes! It is possible to remove undesired sounds like breaths and fret noises in silent parts, electrostatic noises (like 60 Hz hum or white noise) and ambient noises (such as wind and crowds). We can even remove clicks and crackles from a track with a good rate of success. No automatic process is used – tracks are cleaned up manually to guarantee they will sound exactly as planned. Just keep in mind that, if the track is too degraded, it may be impossible to clean it up completely and the process may reduce the perceived quality of the audio.
Do you work with MIDI files for drums, bass, keyboards or electronics?
Yes, it is possible to work with MIDI in certain scenarios, such as drums, standard keyboards and, to some degree, electronic music. The studio owns high-quality samples, but it is NOT MIDI-BASED – which means there isn’t a huge virtual instrument library capable of covering all bases. Before submitting your project, get in touch so we can discuss your needs further.
Is it a problem if my song is in a different tuning, intonation or uses an unorthodox composition method?
Absolutely not! It is possible to work with avant-gardé pieces, exquisite intonation and even noise. Just make sure to explain exactly what your music must sound like, with excruciating detail. It is a fundamental responsibility of the engineer to treat your music with absolute respect.
How longs does it take to edit a song?
Editing and fine-tuning one song usually takes one or two days of work. The process may take more time if your song is too long or has an insane amount of stems. Keep in mind that the studio takes all projects seriously and personally, devoting a lot of time to each one in order to get all the details just right. Get in touch and we’ll discuss if we can meet your exact deadlines.
If I don't like the result, can you do recalls?
Yes! To ensure complete satisfaction, Harvestman Studios provides an unlimited number of recalls until the client is 100% satisfied, tweaking every detail of the track or even starting from scratch again if needed be. Once the client is happy and the final files are delivered, free recalls are no longer possible – And the reason is to avoid unreasonable claims for recalls months or even years after the work is done.
How long do you save files after a gig is complete?
The studio tries to keep projects in a backup system for as much time as possible, but reserves the right to delete projects at any time after the final delivery. The client is totally responsible for backing up and storing the final product properly after it was delivered. Make sure you give to your music the attention and security it deserves!
Can I send you all my songs (my album) at once?
Yes! It is actually easier if you deliver everything at once, as long as all the stems are organized and named in an easy and intuitive way.
Do I retain all copyright over my music?
Yes, Havestman Studios and Matheus Manente do not own any right over mixed and mastered music. However, we kindly ask to be credited for our services on any public release.
What kind of file and format will you deliver?
The standard file delivery includes high-quality renders in the following formats: lossless WAV 48 kHz / 24 bit, lossless WAV 44.1 kHz / 16 bit, and lossy MP3 320 kbps – Which will cover most modern applications, such as streaming service distribution, compact disc pressing and more. We may also render files to any other format or configuration upon request.
How should you be credited for your services?
As “Matheus Manente”, please!
What is the difference between a mix and a master?
Mixing is the process of making every instrument and voice sound good together, in the context of the song. When mixing, the engineer merges all stems of a song together, making it all sound clear and beautiful. Mastering is the process of making a mixed song sound good in the context of the market it aims for. Mastering guarantees that a song won’t sound strange when compared to (or played after) other tracks in the same genre. Usually, masters are done after mixes.
What does In-The-Box means?
It means all the process is done on a digital environment, which has big advantages – It guarantees the integrity of the recordings, allows for effects that are impossible to do on analog gear, and even more important – it’s really easy to do recalls. Analog gear is rightfully praised for its sound, but it comes with disadvantages, such as increased noise and difficulty of recalls (fully analog gear doesn’t magically saves sessions, which means the engineer has to tweak all the knobs again to do a recall – or, if he didn’t take notes, start all over again). Ultimately, keep in mind that a great engineer will create a beautiful mix anywhere. Analog or digital, it doesn’t really matter if the engineer knows what he is doing.
What should I send for a mix?
Your stems, rendered properly, named after the song and the instrument – which helps the audio engineer to prepare the mixing session. More information is also welcome, such as tempo maps, notes and references – specially if editing is needed.
What are stems?
A stem is a consolidated, rendered audio file, usually in a lossless format, which contains the performance of a single instrument or voice. Sometimes, when engineers record an instrument with multiple mics, they generate a different stem for each mic – a common process on drums, for example. It is also common to render different takes to different stems. For example, if a producer recorded two rhythm guitar takes, he will render each one to a separated stem, even if the guitarist is playing exactly the same thing on both. Rendering stems of a song allows the mixing engineer to make all necessary adjustments to the tone of individual instruments and voices.
How should I render my stems?
You should render the stems of your song to a lossless format, all starting exactly at the same position, even if there is a large amount of silence at the beginning. This is absolutely necessary to avoid sync errors. Other than that, the key is to think that the engineer cannot change what has been rendered. For example, imagine you recorded a guitar using two different mics, found a great balance between them and you’re 100% sure you don’t want to change it. Then you can render both into a single stem. Experienced recording engineers can do that with great results and actually make the life of the mixing engineer easier. But if you’re not sure about your tones, render each mic into a different stem and let the mixing engineer decide. It is usually the safest option. NEVER render two different takes or tones to the same stem, unless you know exactly what you’re doing and why!
Should I render stems with audio effects on (wet) or off (dry)?
Again, the key here is to think that the engineer cannot change what has been rendered. So, the safest option is to render a dry stem. If you crafted an effect which you really like and you’re 100% sure you don’t want it to change, you can render a wet stem – Just keep in mind that the mixing engineer won’t be able to adjust it.
In what format do you want my files?
The best option are files rendered in WAV format with sample rate of 48 kHz and bit depth of 24 bits, preferred to reach the high quality standards of the market. It is also possible to work with any other configuration, higher or lower, as long as it’s lossless and at least 44.1 khz / 16 bit. Lower settings may compromise the sound quality and result in a lo-fi product.
How should I send my files?
The files can be uploaded to any cloud service, such as WeTransfer, Drive or Dropbox.
Can I send a mixed track for you to do a new mix?
No, and the reason is: If you don’t have the separated stems, it’s impossible to mix or remix your song; Also, mixing music is an art on itself and very subjective, so it’s important to respect the work of other audio engineers. If you have a very good reason for this and you really need help, get in touch and we will discuss the possibilities.
Can I specify which Instruments I want to stand out more in the mix?
Certainly! You can also send references.
Can you reamp DI stems?
Certainly, through real tube amps and mics, high-quality simulators or impulse responses. Before submitting your project, get in touch so we can discuss your needs further.
Do you do additional Production?
Yes. If requested, additional instrumentation can be added and minor details can be changed in the production. The studio takes all projects seriously and personally, so there are a few cases in which suggestions are given to improve the production or the arrangement, but no action is taken without consent of the client.
Can you work with surround pieces for cinema or any kind of work that demands more than two channels?
No, the studio is currently unable to work on surround pieces or anything that goes beyond 2.1 standard stereo.
What genres do you specialize in? Can you work with other genres?
Harvestman Studios is specialized in rock, heavy metal and alternative styles – But also works with other genres, such as chamber music, jazz groups, dance music, pop singers… The fact is, technically, the process of mixing and mastering is the same on every style. As long as there are references on how your music should sound, we’ll be able to get there.
How longs does it take to mix a song?
Mixing one song usually takes two days. The process may take more time if your song is too long or has an insane amount of stems. Keep in mind that the studio takes all projects seriously and personally, devoting a lot of time to each one in order to get all the details just right. Get in touch and we’ll discuss if we can meet your exact deadlines.
If I don't like the result, can you do recalls?
Yes! To ensure complete satisfaction, Harvestman Studios provides an unlimited number of recalls until the client is 100% satisfied, tweaking every detail of the track or even starting from scratch again if needed be. Once the client is happy and the final files are delivered, free recalls are no longer possible – And the reason is to avoid unreasonable claims for recalls months or even years after the work is done.
In a mixing recall, can you change old stems I didn't like for new takes?
Yes, but extra fees may apply unless explicitly stated or requested by the audio engineer. And the reason is, changing a stem may lead to several changes in the mix, as every balance will have to be reconsidered. To avoid problems, take your time and make sure you are 100% satisfied with your recordings before submitting your stems to the mixing engineer.
How long do you save files after a gig is complete?
The studio tries to keep projects in a backup system for as much time as possible, but reserves the right to delete projects at any time after the final delivery. The client is totally responsible for backing up and storing the final product properly after it was delivered. Make sure you give to your music the attention and security it deserves!
Can you send me an example mix before I order?
No, and there are a few reasons why: (1) an example mix isn’t a finished product, and thus may cause the wrong impression; (2) Harvestman Studio’s schedule is usually very tight, so it’s not possible to commit without guarantees that it will pay off; (3) The studio offers an unlimited number of recalls. Plus, you can always check our portfolio to hear real-life examples of our work before deciding.
Can I send you all my songs (my album) at once?
Yes! It is actually easier if you deliver everything at once, as long as all the stems are organized and named in an easy and intuitive way.
If I have poor quality recordings, can you still work with it?
Yes, the Studio has worked with quite a few bad scenarios and managed to improve it all dramatically. However, keep in mind that, if you use rotten wood to build a house, you will face many structural problems in the future. In the same way, if your foundation – the recordings – lacks quality, the mix built upon it will suffer. Nevertheless, even if you can’t expect a state-of-the-art sound when your recordings aren’t good, we may still achieve great improvements upon it.
Do you use presets or templates to mix?
No, we don’t use presets, templates or anything like that. All mixes are build 100% from scratch to suit the exact needs of each song, which may differ a lot.
Do you offer instrumental (or alternative) versions of the mix?
Yes, but it requires a lot of work and time to render alternative versions or mixed stems (sometimes even days), so make sure to mention that before we start – otherwise, additional fees may apply!
Can I have access to the mixing session, or the project file?
No. The studio reserves the right to keep the mixing or mastering process confidential and not accessible to clients. We do that for a number of reasons: (1) If the client decides to tweak the mix or master and it results in a poor product, it reflects badly upon the studio; (2) The studio loses quality control over the product, and also part of the expected revenue; (3) A pre-made session won’t help the client in any way, since other songs will need different treatment. There is an exception though, that is if our studio agrees to do an educational session with the purpose of educating an emerging producer or musician over audio production subjects, or if mixing sessions are to be used on a live environment for real-time mix. In any case, make sure to mention that before we start.
Do I retain all copyright over my music?
Yes, Havestman Studios and Matheus Manente do not own any right over mixed and mastered music. However, we kindly ask to be credited for our services on any public release.
What kind of file and format will you deliver?
The standard file delivery includes high-quality renders in the following formats: lossless WAV 48 kHz / 24 bit, lossless WAV 44.1 kHz / 16 bit, and lossy MP3 320 kbps – Which will cover most modern applications, such as streaming service distribution, compact disc pressing and more. We may also render files to any other format or configuration upon request.
How should you be credited for your services?
As “Matheus Manente”, please!
What is the difference between a mix and a master?
Mixing is the process of making every instrument and voice sound good together, in the context of the song. When mixing, the engineer merges all stems of a song together, making it all sound clear and beautiful. Mastering is the process of making a mixed song sound good in the context of the market it aims for. Mastering guarantees that a song won’t sound strange when compared to (or played after) other tracks in the same genre. Usually, masters are done after mixes.
What does In-The-Box means?
It means all the process is done on a digital environment, which has big advantages – It guarantees the integrity of the recordings, allows for effects that are impossible to do on analog gear, and even more important – it’s really easy to do recalls. Analog gear is rightfully praised for its sound, but it comes with disadvantages, such as increased noise and difficulty of recalls (fully analog gear doesn’t magically saves sessions, which means the engineer has to tweak all the knobs again to do a recall – or, if he didn’t take notes, start all over again). Ultimately, keep in mind that a great engineer will create a beautiful mix anywhere. Analog or digital, it doesn’t really matter if the engineer knows what he is doing.
What should I send for a master?
The finished mix, rendered to a single stereo lossless file, with peaks below 0 db and no limiting or clipping (ideally with maximum peaks around -6 db, very quiet). You may also render separated sections of instruments if desired, for a “multitrack” mastering, but it is usually not needed – Keep in mind that the idea of mastering isn’t to remix an already mixed song.
In what format do you want my files?
The best option are files rendered in WAV format with sample rate of 48 kHz and bit depth of 24 bits, preferred to reach the high quality standards of the market. It is also possible to work with any other configuration, higher or lower, as long as it’s lossless and at least 44.1 khz / 16 bit. Lower settings may compromise the sound quality and result in a lo-fi product.
How should I send my files?
The files can be uploaded to any cloud service, such as WeTransfer, Drive or Dropbox.
Can I send a mastered track for you to do a new master?
No, and the reason is: Mastered files can be remastered, but usually end up with unpleasant problems, hence most engineers would rather not do it; Also, mastering music is an art on itself and very subjective, so it’s important to respect the work of other audio engineers. If you have a very good reason for this and you really need help, get in touch and we will discuss the possibilities.
Can you work with surround pieces for cinema or any kind of work that demands more than two channels?
No, the studio is currently unable to work on surround pieces or anything that goes beyond 2.1 standard stereo.
What genres do you specialize in? Can you work with other genres?
Harvestman Studios is specialized in rock, heavy metal and alternative styles – But also works with other genres, such as chamber music, jazz groups, dance music, pop singers… The fact is, technically, the process of mixing and mastering is the same on every style. As long as there are references on how your music should sound, we’ll be able to get there.
How longs does it take to master a song?
Mastering one song usually takes one day. Keep in mind that the studio takes all projects seriously and personally, devoting a lot of time to each one in order to get all the details just right. Get in touch and we’ll discuss if we can meet your exact deadlines.
If I don't like the result, can you do recalls?
Yes! To ensure complete satisfaction, Harvestman Studios provides an unlimited number of recalls until the client is 100% satisfied, tweaking every detail of the track or even starting from scratch again if needed be. Once the client is happy and the final files are delivered, free recalls are no longer possible – And the reason is to avoid unreasonable claims for recalls months or even years after the work is done.
How long do you save files after a gig is complete?
The studio tries to keep projects in a backup system for as much time as possible, but reserves the right to delete projects at any time after the final delivery. The client is totally responsible for backing up and storing the final product properly after it was delivered. Make sure you give to your music the attention and security it deserves!
Can you send me an example master before I order?
No, and there are a few reasons why: (1) an example master isn’t a finished product, and thus may cause the wrong impression; (2) Harvestman Studio’s schedule is usually very tight, so it’s not possible to commit without guarantees that it will pay off; (3) The studio offers an unlimited number of recalls. Plus, you can always check our portfolio to hear real-life examples of our work before deciding.
Can I send you all my songs (my album) at once?
Yes! It is actually easier if you deliver everything at once, as long as all the stems are organized and named in an easy and intuitive way.
If I have poor quality recordings, can you still work with it?
Yes, the Studio has worked with quite a few bad scenarios and managed to improve it all dramatically. However, keep in mind that, if you use rotten wood to build a house, you will face many structural problems in the future. In the same way, if your foundation – the recordings – lacks quality, the master built upon it will suffer. Nevertheless, even if you can’t expect a state-of-the-art sound when your recordings aren’t good, we may still achieve great improvements upon it.
Do you use presets or templates to master?
No, we don’t use presets, templates or anything like that. All masters are build 100% from scratch to suit the exact needs of each song, which may differ a lot.
Do you master songs optimized to streaming services, vynil or other standards?
Yes. Loudness units relative to full scale (LUFS), true peak and mid/side standards are always taken into account when mastering. We can also follow any specific settings you may require for your application, regarding loudness, peaking, bit depth, sample rate, vinyl specifications or any other attribute.
Do you offer alternative versions of the master?
Yes, it is possible to create different masters for different applications, such as vynil, streaming, etc. But it requires a lot of work and time to render alternative versions, so make sure to mention that before we start – otherwise, additional fees may apply!
Can I have access to the mastering session, or the project file?
No. The studio reserves the right to keep the mixing or mastering process confidential and not accessible to clients. We do that for a number of reasons: (1) If the client decides to tweak the mix or master and it results in a poor product, it reflects badly upon the studio; (2) The studio loses quality control over the product, and also part of the expected revenue; (3) A pre-made session won’t help the client in any way, since other songs will need different treatment. There is an exception though, that is if our studio agrees to do an educational session with the purpose of educating an emerging producer or musician over audio production subjects, or if mixing sessions are to be used on a live environment for real-time mix. In any case, make sure to mention that before we start.
Do I retain all copyright over my music?
Yes, Havestman Studios and Matheus Manente do not own any right over mixed and mastered music. However, we kindly ask to be credited for our services on any public release.
What kind of file and format will you deliver?
The standard file delivery includes high-quality renders in the following formats: lossless WAV 48 kHz / 24 bit, lossless WAV 44.1 kHz / 16 bit, and lossy MP3 320 kbps – Which will cover most modern applications, such as streaming service distribution, compact disc pressing and more. We may also render files to any other format or configuration upon request.
How should you be credited for your services?
As “Matheus Manente”, please!
What do you need to record an instrument?
A guide track over which I can record the instrument, in any format. It is possible to work through any kind of scenario – Rough MIDI files, mp3 drafts, partially recorded songs or well produced and mixed arrangements, anything works. Click tracks and tempo maps usually help a lot, specially if your song has many different time signatures or tempo changes.
Do I need to write sheet music? Can you learn by ear?
You can write sheet music, tablature and/or chords. It helps a lot and guarantees you’ll receive exactly what you expect to receive. But if you’re not able to write the parts, it’s okay too – I can learn by ear from the guide tracks or from any kind of preliminary recording.
Can you create an arrangement from scratch?
Yes! If you already have a basic idea of how your track should sound but you haven’t written the parts, it is possible to create it all from scratch. Keep in mind that additional fees may apply.
Can you create an harmony for my a capella recording?
Yes! Even though it requires advanced composing skills and takes more time and effort, it is basically the same as creating an arrangement from scratch. Keep in mind that additional fees may apply.
Can you create electronic beats?
Yes, but with a few limitations. Please, get in touch and we’ll discuss if we can meet your exact needs.
Will my song have completely original arrangements?
Yes. Arrangements are meticulously crafted to fit the very specific needs of each song.
In what format do you want my files?
Lossless WAV files are preferred, but any other audio format also works, even MIDI. Please, get in touch and we’ll discuss if it is possible to work with your material.
How should I send my files?
The files can be uploaded to any cloud service, such as WeTransfer, Drive or Dropbox.
How long can my song be?
One song counts as a lenght of 5 minutes maximum. If your music is longer than 5 minutes, it will be charged per each section of 5 minutes. For example, a 7 minute song will be charged as two songs (5 minutes + 2 minutes); a 14 minute song will be charged as three songs (5 minutes + 5 minutes + 4 minutes); and so it goes.
How long does it take to record an instrument?
Recording one instrument usually takes one day. The process may take more time if your song is too long, if more instruments are required, or if the arrangement must be created from scratch. Keep in mind that the studio takes all projects seriously and personally, devoting a lot of time to each one in order to get all the details just right. Get in touch and we’ll discuss if we can meet your exact deadlines.
What genres do you specialize in? Can you work with other genres?
Harvestman Studios is specialized in rock, heavy metal and alternative styles – But also works with other genres, such as classical music, jazz, improvisation, dance music, pop… The fact is, technically, the process of playing an instrument is the same for every style. As long as there are references on how your music should sound, we’ll be able to get there.
What equipment will you use to record?
We have custom-made, one-of-a-kind instruments of very high quality that will be able to deliver an unique and perfect sound for your song. Please visit the GEAR page for more information.
What techniques can you use when recording instruments?
For my main instruments – guitars and basses – I can do pretty much anything you request, from basic to advanced, even experimental or extended techniques. For other instruments, some restrictions may apply. Please, get in touch and we’ll discuss if we can meet your exact needs.
Can you replicate an existing recording?
Yes, but only if you own the rights over the existing recording. The studio will not plagiarize material you do not own. What is possible, tough, is to create an original arrangement heavily based on other material, as long as the final product is not plagiarized. Please, get in touch and we’ll discuss if we can meet your exact needs.
Can you record more than one instrument per song?
Yes! It is even possible to create a whole song from scratch, playing and recording all instruments. Keep in mind that the more instruments you need, the more it takes to be recorded, and additional fees may be applied.
Can you edit your own tracks?
Yes! To make it as easy as possible for you, all recorded tracks are edited and consolidated as a standard. Please refer to the “editing” tab for further information about the process.
Can you tune your own vocals?
Yes! To make it as easy as possible for you, all recorded vocals are double-checked to be as accurate as possible, and corrections may be applied. Please refer to the “editing” tab for further information about the process.
Can you clean up noises and breaths?
Yes! To make it as easy as possible for you, all recorded tracks are delivered 100% clean as a standard. Please refer to the “editing” tab for further information on the process.
If I don't like the result, can you do recalls?
Yes! To ensure complete satisfaction, Harvestman Studios provides an unlimited number of recalls until the client is 100% satisfied, tweaking every detail of the track or even starting from scratch again if needed be. Once the client is happy and the final files are delivered, free recalls are no longer possible – And the reason is to avoid unreasonable claims for recalls months or even years after the work is done.
Can I get DI stems of your recordings?
Yes, we usually record DI stems and we can provide them for you. Make sure to mention that before we start – otherwise, it might not be possible!
Can you record a video of your performance?
Yes! We have high quality cameras and lights that we can use to record video takes. Please, make sure to mention that before we start – otherwise, additional fees may apply!
What kind of file and format will you send?
The standard file delivery includes a high-quality render in the following format: lossless WAV 48 kHz / 24 bit, which will cover most modern applications. We may also render files to any other format or configuration upon request.
How should you be credited for your services?
As “Matheus Manente”, please!